Mater Dolorosa: The Mother Who Suffers With Us by Jeff Callaway
Mater Dolorosa: The Mother Who Suffers With Us
by Jeff Callaway
Texas Outlaw Poet
Pars Prima: Foundations of Faith
From the first moment Mary accepted the angel’s message, her life was pierced by both joy and sorrow. The title Mater Dolorosa—Latin for "Mother of Sorrows"—does not glorify pain; it honors a fierce spiritual reality. Her suffering wasn't passive; it was an active, loving participation in her Son’s redemptive work, a heroic fiat to the Father's will even as a sword tore through her heart. She stands as a defiant model of unwavering faith, a mother whose sorrow is a companion to every soul that struggles beneath its own cross.
This devotion is a hard look at divine love poured out through human sorrow. Mary’s sufferings are not a historical recitation; they are a living, spiritual bridge, connecting our trials to the salvific mission of Christ. Through her, we learn that pain, embraced with faith, becomes a fierce participation in the eternal work of redemption.
l. The Historical Roots of the Devotion
The devotion to Mater Dolorosa didn't appear overnight. It grew slowly, like a resilient vine from the ancient soil of medieval Christendom. Its roots reach back to the 12th century, when heartfelt reflections on a mother's grief—a grief inseparable from the suffering of her Son—emerged in liturgical celebrations.
The Servite Order—Ordo Servorum Beatae Mariae Virginis—most notably carried the flame of this devotion forward. Founded in Florence in 1233, this small band of men was drawn to Mary's sorrowful heart. At first, the devotion focused on five pains; over time, it expanded into the seven sorrows we recognize today. The Servites made it clear: Mary's suffering wasn't for her alone, but a shared suffering, a participation in the salvific work of Christ.
By 1482, the devotion had reached the wider Church through the Roman Missal under the title Our Lady of Compassion. The Latin roots of the word—cum and patior—are a sharp reminder: to suffer with. Here, the faithful found a mother whose heart was pierced yet generous, standing beneath the Cross, intimately united with her Son. The devotion's place in the Church's spiritual life was solidified by various papal decrees, culminating in Pope Pius X fixing the feast on September 15th, deliberately placed the day after the Exaltation of the Holy Cross. This pairing linked the mother’s grief to her Son’s Passion, and by this time, the term The Seven Dolors had become common, evoking the seven symbolic swords that pierced Mary’s heart, a raw image that would inspire countless hymns and sacred art.
From the early Stabat Mater compositions of the 12th century to the soaring Baroque depictions of sorrowful Madonnas, the devotion to Mater Dolorosa has remained tethered to Scripture and Christian piety. Mary's steadfast presence at the Cross and her willing offering of herself became a mirror for the faithful—a sharp reminder of the gravity of sin, the depth of divine love, and the only path to repentance. In honoring her sorrows, believers encounter not despair, but a fierce mother who suffers alongside them, guiding hearts toward Christ with unyielding compassion.
ll. Titles, Names, and Patronages of the Sorrowful Mother
Mary, in her sorrows, is never a distant figure. She is a mother whose heart stretches across nations and generations, known by many names, each a facet of her grief. Mater Dolorosa captures her intimate participation in the suffering of her Son. Our Lady of Compassion speaks to her tender heart, one that bears the weight of human anguish with unwavering patience. She is also called the Queen of Martyrs, each title a doorway into understanding the depth of her maternal solidarity.
In Italy, her sorrow is celebrated as Maria Santissima Addolorata, and she has become the patroness of countless cities and regions. In Southern Italy, the faithful have long gathered for La Festa della Madonna dei Sette Dolori, a festival that honors her grief and calls the community to a contemplation of suffering and hope. Across Europe, her maternal presence extends to Slovakia, Hungary, Poland, and Malta, guiding the faithful with a heart that mourns yet consoles.
Even across the Atlantic, her care reaches the United States, where she holds the state of Mississippi under her patronage, a quiet reminder that her maternal reach knows no borders. Her guardianship is also personal and intimate, extending to those who bear names linked to her sorrows: Dolores, Dolais, Deloris, Pieta. For these children of her heart, September 15th is more than a date; it is a name day, a day to encounter their mother in her grief and her intercession, and to receive the strength she offers through her pierced yet generous heart.
Through every title and patronage, Mary draws the faithful into her sorrowful embrace. She is a mother whose compassion knows no boundaries, whose sorrow is never passive, and whose heart, pierced by the swords of the Seven Dolours, beats with enduring love for every soul that suffers. In her names, we see her universality; in her patronages, we experience her personal care. She is, in every sense, the Sorrowful Mother who suffers with us—and for us.
lll. A Theological Framework for Suffering
To enter into this devotion is to step into a school of love forged in grief. It is not a morbid fascination with pain, nor a glorification of human suffering for its own sake. It is a witness to how sorrow, when embraced with faith, becomes a channel of divine grace. The Mater Dolorosa teaches that our pain can be transformed when united to the redemptive Passion of her Son. Her heart, pierced by the swords of prophecy and tragedy, becomes a mirror in which believers see their own pains offered back to God in an act of defiant participation.
Mary’s sorrows are active and deeply co-redemptive. Through her steadfast presence at the foot of the Cross, she embodies the ultimate “yes” to God’s will. As St. Bernard noted, a sword truly pierced her heart, and in that piercing, she united herself to Christ’s sacrifice with a mother’s loving courage. She earned the title Co-Redemptrix, not as one who competes with the Savior, but as one who shares in His mission through maternal love and willing suffering. Every sorrow she bore was an act of intimate cooperation in the salvation of the world.
Devotion to the Seven Sorrows is a school of consolation for the human heart. For those afflicted by grief, loss, or moral suffering, Mary is both example and companion. She understands our pain because she lived it—from the manger to the agonizing shadow of Calvary. Her maternal heart is a refuge for grieving families, for those who have lost children, for souls weighed down by sin, and for the Holy Souls in Purgatory. To place our burdens in her hands is to discover the profound healing that comes when sorrow is transformed into prayer and love.
This devotion is a spiritual weapon against the dulled senses of the soul. Spiritual apathy and the temptation to despair are met with Mary’s living witness. Contemplation of her sorrows draws the faithful into the heart of the Gospel, teaching them to bear their own crosses not with resignation, but with fierce purpose. By uniting personal suffering to hers, the faithful participate in Christ’s redemptive work, offering their pain as a prayer for themselves and for others.
Mary’s sufferings surpass those of all humanity not because her life was easy, but because her Son was not merely a child she raised—He was her Lord and Savior. Her sorrows are layered, both human and divine: the joy of motherhood tempered by the agony of witnessing her Son’s rejection and torment, her heart broken yet unwavering in love. It is this profound duality—maternal tenderness fused with heroic fidelity to God’s will—that makes her a model for all who suffer.
Theological reflection meets human experience in the Sorrows of Mary. Her fiat to the angel was an act of faith, yet it is at the Cross, in the giving of her Son back to God, that her glory shines most brightly. In every sword, in every tear, she models how suffering can be sanctified, how grief can become prayer, and how the heart can expand to contain both loss and hope. Her sorrows teach that suffering is not meaningless; it is transformative, capable of strengthening character, deepening compassion, and fostering a resilient hope that looks beyond the present moment.
This devotion also reaches outward, calling believers to empathy and action. To meditate on the Seven Sorrows is to cultivate a heart capable of loving in the face of tragedy and offering consolation where grief has left emptiness. Mary, the Sorrowful Mother, becomes the mother of all who mourn, the intercessor for those who struggle, and the teacher of those who seek courage to bear what life has imposed.
Faith-filled hope radiates from her sorrowful heart. Even when darkness seems unending, Mary’s example calls the faithful to wait upon God and to labor for His kingdom with steadfast love. Her sorrows are a light for the way, a reminder that even in the depth of suffering, grace can flow, consolation can be found, and the heart can be strengthened to carry on.
Ultimately, the devotion to the Sorrows of Mary is a call to transformation. It teaches that our pains, united to Christ through her, are not wasted or meaningless; they are elevated into instruments of redemption. Every tear she shed becomes a lens through which the faithful learn endurance, courage, and hope. In her, suffering becomes a path to holiness, a bridge from human grief to divine love, and a living testament that in every sorrow, God’s mercy is never far away.
Pars Secunda: Mater Dolorosa in Art and Culture
From medieval whispers to grand cathedrals, Mary’s sorrows are etched into the very fabric of sacred art. She is not a distant icon but a mother whose grief and compassion transcend time. Artists capture her heart, pierced by seven swords, her tear-streaked face, and the silent strength of her presence at the Cross. These works do more than narrate history; they invite the faithful into an intimate encounter with sorrow, devotion, and love.
Art transforms contemplation into participation. A painting, a sculpture, or a devotional print makes Mary’s anguish tangible and her compassion palpable. The Pietà, the weeping Madonnas of the Spanish Baroque, and humble icons all serve as mirrors for our own suffering, sanctifying and elevating our trials. In these works, grief is not aesthetic; it is theological, spiritual, and redemptive.
l. The Symbolism of the Seven Swords
The heart of the Mater Dolorosa is laid bare, pierced by seven swords that carry the weight of prophecy, love, and sorrow. This imagery, central to the devotion, finds its root in Simeon's words at the Presentation: "A sword will pierce your own soul also" (Luke 2:35). From that moment, Mary's heart was joined to her Son's suffering, and the swords became a symbol of her total spiritual martyrdom.
In art, Mary is often shown with her heart exposed, each sword a marker of one of her sorrows. Sometimes her halo bears seven stars, a silent testament to the same sorrows. In multi-image icons, the Seven Sorrows are arrayed around a central depiction of Our Lady, guiding the viewer through her life of grief.
Spanish Baroque art elevated this symbolism through the "Weeping Madonnas." These figures, draped in mourning garments with tears carefully rendered, were designed to evoke deep emotion and piety. Through light and shadow, artists made Mary a tangible presence, a mother whose sorrow could be felt and emulated.
The swords piercing her heart are not mere ornamentation. They are theological statements embodying the maternal love that embraces suffering, the courage that stands at the Cross, and the redemptive connection between Mary’s heart and the salvation of humanity.
ll. Iconic Depictions of Maternal Grief
If the pierced heart is the symbol, the image of the weeping Mother is the soul of the devotion. Artists have rendered the Mater Dolorosa as a living woman—a mother whose grief is as real as the nails that pierced her Son.
She is often depicted as a solemn figure in black or deep purple, her head bowed, her face streaked with tears. This is not the serene Madonna of Christmas cards but the woman who stood on Golgotha. In Spain, sculptures of her became the centerpiece of Holy Week processions. Crowds would follow her through narrow streets as though accompanying her to Calvary, weeping with her.
The Mater Dolorosa is also ecclesial: she is the Church itself, suffering in the shadow of the Cross and standing alone against a hostile world. In this sense, her image becomes a portrait of all believers who endure trial and wait for the final resurrection.
Northern Renaissance painters, like Dieric Bouts, captured this tension with heartbreaking precision. His Sorrowing Madonna has an expression that is both human and heroic. Her eyes brim with tears, but her gaze is steady, fixed on the will of God. This balance of pain and dignity became a hallmark of Marian art, teaching the faithful how to weep with hope.
From small prayer cards to towering masterpieces, these depictions draw the faithful into Mary's grief. They invite us to take her hand and find a pathway that leads not to despair, but to the light of Easter morning.
lll. The Enduring Power of the Pietà
If the Mater Dolorosa is the portrait of grief, the Pietà is its sculpture—grief made stone, yet breathing with eternal life. The Pietà is the supreme artistic meditation on the Sixth Sorrow, the moment when Mary receives the broken body of her Son after the Descent from the Cross. Though not in the Gospels, this scene rises naturally from Calvary's silence: what mother would not hold her child one last time?
Michelangelo's Pietà in St. Peter's Basilica is the definitive expression of this moment. The work is at once intimate and profound. Mary’s youthful face is a deliberate symbol of her sinlessness. She is not an old, broken woman but the new Eve, radiant in sorrow, because her "yes" to God remains unbroken.
Jesus’ body seems to rest, not slump, across her lap. Mary does not cling; she offers. Her left hand is turned upward, presenting her Son to the Father and to the world. The message is unmistakable: this is a scene of sacrifice, of a mother completing the offering she began at the Annunciation.
The power of the Pietà lies in its paradox—it is both the stillness of death and the calm before resurrection. It has been copied in churches across the world, each one a fresh attempt to reckon with the mystery of a love that suffers and does not turn away.
In the Pietà, we are invited to sit with Mary and share her vigil. We learn that true devotion is not an escape from the Cross but a willingness to hold it, to cradle it, and to believe, as Mary did, that dawn is coming.
Pars Tertia: A Journey of Shared Suffering—The Seven Sorrows of Mary
If Mary’s title of Mater Dolorosa is her crown, the Seven Sorrows are its seven jewels. They are not isolated moments of grief but a single thread of divine participation running through her life. From the first shadow cast by Simeon's prophecy to the silence of the tomb, Mary’s journey is one long fiat—a continual, painful, and beautiful "yes" to God’s will.
To meditate on these sorrows is to walk with Mary through her spiritual martyrdom, to see through her eyes what it means to love Jesus perfectly and to suffer for Him completely. Her sorrows form a Gospel within the Gospel, revealing not only the cost of redemption but also the strength of grace that allows a human heart to endure such pain without breaking.
This devotion is an invitation into transformation. Each sorrow is a doorway to deeper faith, a chance to unite our own wounds to Christ’s, our own losses to His ultimate victory. To sit with the Mother of Sorrows is to learn that grief does not have the last word—love does.
l. The Prophecy of Simeon (Luke 2:25–35)
The Presentation in the Temple was a day of ritual joy, yet it was braided with dread. Simeon, the righteous man who had awaited Israel’s consolation, lifted the Christ Child and then turned to Mary with a warning that cut deep: “A sword will pierce through your own soul” (Luke 2:35).
This was the first shadow to fall across Mary’s heart, a glimpse of the mission’s cost. The Fathers of the Church saw this as the beginning of her spiritual martyrdom. Her suffering was an active participation in Christ’s redemptive work, a hidden offering that began long before Calvary.
For the faithful, this First Sorrow is a lesson in holy realism. To follow Christ is to accept that love will cost something. Mary teaches us that even joy holds the seed of the Cross, yet she does not turn back. She carries Simeon’s words with her, letting them prepare her for what is to come.
ll. The Flight into Egypt (Matthew 2:13–15)
Night fell over Bethlehem with a divine warning: "Rise, take the child and his mother, and flee to Egypt" (Matthew 2:13). The Child who had drawn shepherds and angels was now the target of a king’s murderous rage, a refugee forced into exile.
This sorrow is one of fear and displacement. Mary, the mother of a hunted child, had to cross borders under threat of death. Every mile of that desert road must have been lined with questions. Yet she walks forward, heart pierced but unbroken, trusting God.
The Flight into Egypt has deep meaning for the persecuted and displaced. In Mary, every refugee mother finds a companion, every frightened parent a witness. She knows the ache of leaving home and the weight of danger. This Second Sorrow reminds us that holiness is often lived in motion, in the quiet endurance of hardship. Mary’s trust transforms terror into obedience, fear into faith.
lll. The Loss of the Child Jesus (Luke 2:41–50)
The streets of Jerusalem blurred into a maze of panic. Mary and Joseph retraced every step, searching for their Son. The Child, who was her life, was suddenly gone. For three days—silence. For three days—no answer.
This sorrow cut deep, not with the violence of swords or exile, but with the aching absence of the One she loved most. The Temple, when they found Him, was a place of both relief and mystery. His words, “Did you not know that I must be in my Father’s house?” were a reminder that His mission belonged first to God.
The Church sees this Third Sorrow as a foreshadowing of the three days He would lie in the tomb. Mary’s anguish teaches believers that faith often involves waiting and trusting through darkness. For all who have felt abandoned by God, Mary stands beside you, knowing the pain of spiritual desolation. She teaches us to keep searching until we find Him again—even if it takes a lifetime.
lV. Mary Meets Jesus on the Way to Calvary (Luke 23:27–31, John 19:25)
The road to Golgotha was choked with dust and jeers. Through the crush of soldiers, Mary saw Him. Blood streaked His face. The Cross bowed His shoulders. This was the Child she once carried, now stumbling toward death.
There were no words, just a look—the look of a Mother who would rather take the Cross herself. She did not turn away. She stayed present in the agony.
In this Fourth Sorrow, Mary teaches the mystery of redemptive compassion. Sometimes love cannot remove suffering; it can only stand there, steadfast, refusing to let the sufferer be alone. Her silent courage becomes the Church’s model: to be with the dying, the condemned, the crushed, even when nothing can be fixed.
V. The Crucifixion and Death of Jesus (John 19:25–30)
The hill called Golgotha was soaked in midday darkness. The Mother of God stood beneath the Cross. Every hammer blow rang through her body. She could not shield Him; she could only stand—motionless, shattered, steadfast—as her Son was lifted high, exposed to the world’s hatred.
Simeon's prophecy now burned like fire in her memory: “A sword will pierce your own soul.” That sword was a slow, unrelenting agony.
And then, amid the anguish, came His words: “Woman, behold your son,” and to John, “Behold your mother.” The dying Christ gave His Mother to the world and the world to His Mother. Her heart was wrenched open not only for Him, but for every soul for whom He died.
When He cried, “It is finished,” and His head fell forward, the silence was deafening. For Mary, this was not only the death of her Son but of her joy. Yet she did not collapse. She remained standing at the Cross like a pillar, consenting to the Father’s will.
In this Fifth Sorrow, we see the depth of Mary’s co-redemptive suffering. She did not just witness the Passion; she participated in it with her soul. Salvation was purchased at a cost beyond human comprehension, and Mary paid her share by letting her Son die before her eyes.
Vl. The Body of Jesus Is Taken Down from the Cross (Luke 23:50–54, John 19:31–37)
When the soldiers were finished, the hill grew eerily still. The jeering crowd had scattered. Mary waited with a terrible, steady calm. She had watched His agony; she would not abandon Him now.
They lowered Him into her arms. The Gospels fall quiet here, as if words could not bear the weight. The Mother of Sorrows held her dead Son—limp, broken, bloodied—and wept the kind of tears that come from the soul’s deepest caverns.
This is the moment immortalized in the Pietà: Mary seated, her lap the altar upon which the spotless Lamb was sacrificed. Her hands did not clutch Him but cradled Him, offering Him back to the Father.
This Sixth Sorrow shows the Church how to grieve without despair. Her lap becomes the world’s refuge, where every grieving parent can lay their sorrows beside hers and know that she understands. It is a moment where loss and love are indistinguishable, and where the silence of Holy Saturday begins to whisper the first promise of Resurrection.
Vll. The Burial of Jesus (Luke 23:55–56, John 19:38–42)
Evening shadows lengthened as the final act unfolded. Mary followed as they carried the sacred body to a new tomb. This was the last time she would see Him until the Resurrection—the final letting go. As they laid Him upon the cold stone and sealed the entrance, heaven itself seemed to hold its breath. The silence was suffocating.
Yet Mary did not collapse. Her sorrow was not despair but consent—an obedience so complete it almost frightens us. She surrendered her Son back to the Father’s will, trusting that death did not have the final word.
This Seventh Sorrow is the quietest, but perhaps the most profound. It is the sorrow of waiting, of living in the space between crucifixion and resurrection. Mary teaches us to remain faithful there, to wait with patience and aching hope for God to move the stone.
On the other side of this silence lies Easter morning, and the same hands that let go in sorrow will one day clasp her Son in glory.
Pars Quarta: Devotional Practices and Promises
The journey of the Seven Sorrows cannot end at the tomb; it must find its way into the heart. Devotion to Our Lady of Sorrows is not a relic of the past but a living way of prayer, a school of the heart where believers learn to suffer, endure, and love with Mary.
Through rosaries, chaplets, novenas, and quiet acts, the faithful step into the shadow of Calvary and stand beside the Mother who never abandoned her Son. These devotions are invitations to let Mary teach us how to turn our own grief into grace, how to join our wounds to Christ’s, and how to see redemption unfolding even in our darkest hours.
What begins as ritual becomes a relationship, an encounter with a Mother who suffers with us, consoles us, and leads us closer to the pierced heart of her Son.
l. The Chaplet of the Seven Sorrows
The Chaplet of the Seven Sorrows is more than a string of beads; it is a ladder into Mary’s heart where sorrow transforms into intercession and consolation. Every bead and every pause is an invitation to walk beside the Mother who suffers with unyielding courage.
The chaplet's structure is precise: seven groups of seven beads, each representing one of Mary’s sorrows. A single bead precedes each group for an Our Father, followed by seven Hail Marys for contemplation. Three additional beads honor her tears, a solemn beginning to the meditation. Traditionally, the beads are black, a tangible reminder that this devotion is steeped in grief yet illuminated by love.
The prayer can be meditated in one continuous session or spread across days. It is not merely contemplative; it is penitential, promoted by the Servite Order in the 14th century as a spiritual weapon against despair. More recently, in the approved apparitions at Kibeho, Rwanda, Our Lady called for its recitation, emphasizing repentance and the healing of hearts.
Complementing the chaplet is the Stabat Mater, a 12th-century hymn that vividly portrays Mary’s anguish. Whether through beads, song, or quiet meditation, the Chaplet of the Seven Sorrows transforms sorrow into a living, active devotion—a bridge from grief to grace.
ll. The Graces and Promises
The devotion to Our Lady of Sorrows is a treasury of divine promises. Saints like St. Bridget of Sweden and St. Alphonsus Liguori serve as witnesses, recounting the blessings revealed by the Mother who mourns yet intercedes.
St. Bridget reported that Our Lady promised seven distinct graces, including peace within the family and illumination in divine mysteries. Each sorrow becomes a spiritual lens, revealing Christ’s Passion in a fresh light.
St. Alphonsus Liguori described four specific blessings, including true repentance before death, protection in trial, and Mary’s maternal presence at the hour of passing. By meditating on her sorrows, the faithful participate in her co-redemptive role, sharing in her pain and her consoling intercession.
Beyond these blessings, the devotion embeds the memory of Christ’s Passion into the heart. It is a ladder of grace, lifting the soul toward eternal reward and drawing hearts closer to God. The faithful learn that sorrow is not to be merely endured but to be sanctified, a channel of mercy and a bridge from earthly suffering to heavenly promise.
lll. Personalizing the Devotion
To enter fully into the heart of Mater Dolorosa, the faithful are invited to create a sacred space for quiet, intentional reflection. This space—whether a simple altar or a quiet chair—becomes a sanctuary where one can meet Mary as a living, compassionate presence.
Meditation on her sorrows can and should be personalized. The faithful are encouraged to connect each of her sorrows to their own lives—their moments of loss, fear, or betrayal—and speak to her as a confidante. In doing so, Mary becomes a mother who listens, understands, and intercedes.
This devotion teaches that suffering, when united with Mary’s, is not a burden borne alone but a channel of grace. Personal grief is transformed into courage, service, and enduring hope. By personalizing the devotion, Mary becomes both guide and companion, turning daily struggles into opportunities for spiritual growth and the weight of sorrow into a bridge toward God’s mercy and love.
Pars Quinta: A Mother of Consolation in the Modern World
In a world fractured by pain, loss, and ceaseless turmoil, Mary stands as the enduring Mater Dolorosa, a Mother of Consolation whose heart knows every wound we carry. Her sorrows are not distant history; they are living echoes, calling us to enter into a deeper understanding of suffering and hope. She consoles the grieving, uplifts the weary, and teaches that faith is not the absence of hardship but the courage to endure it with trust in God’s promise. Through her example, we see that sorrow and joy are inseparable companions—her fiat at Nazareth, radiant with hope, led inevitably to the shadowed path of Calvary, and in that paradox lies the secret of transformation: our pain, united to hers, becomes a bridge to grace, a channel to redemption, a way to find God in the midst of life’s storms.
Mary is the consoler of all hearts, her maternal presence embracing those who weep, those who stumble, those who feel unseen. She shows that even the deepest grief can bloom into hope when placed in God’s hands. I know this from the marrow of my own bones—she found me in my darkest hour, led me to Jesus, to the Church, and to a life reshaped by devotion. For almost two years now, I have lived these rosaries, these consecrations, these prayers to the Sorrowful Mother, learning to take my own wounds and align them with her swords and her Son’s Cross. Every morning I rise to offer my joys and sufferings as a living prayer; every night I surrender them again, dedicating them to the reparation of the sins of the world, to the Holy Souls in Purgatory, and to the countless hidden sorrows of humanity. My suffering has become a tool, a weapon, a bridge to God, teaching me that grief is never meaningless when entrusted to Him.
And this is the call she extends to each of us: embrace your crosses, not in despair, but with courage; unite your pains to Christ on the Cross and to Mary at His side; let every wound become a prayer, every tear a gift, every sorrow a step closer to sanctity. In this, we discover the paradox of true joy: that in walking through darkness with Mary, our hearts open to a light that never fades.
She teaches us to hope, to persevere, to love, and to transform suffering into grace, showing us that the Mater Dolorosa is not merely a figure to be revered but a living guide, a mother whose tears mingle with ours and whose heart carries us into the boundless embrace of her Son. Let us rise, then, with her at our side, ready to place our lives, our sorrows, and our love into the hands of God, so that through suffering, through prayer, and through fidelity, we too may become instruments of mercy, vessels of hope, and witnesses to the power of a Mother who suffers with us and for us.
~ by Jeff Callaway
Texas Outlaw Poet
© 2025 Texas Outlaw Press
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